Skip to content Skip to sidebar Skip to footer
Home / Fleetwood Mac Rumors Never Going Back Again

Fleetwood Mac Rumors Never Going Back Again

Post a Comment

1977 studio album by Fleetwood Mac

Rumours
Mostly cream album cover with black-and-white image of tall, bearded gentleman holding a snow globe in front of a blonde, cape-wearing woman. In the top right-hand corner, it is captioned "FLEETWOOD MAC" and "RUMOURS" below it.
Studio album by

Fleetwood Mac
Released iv February 1977 (1977-02-04)
Recorded February–August 1976
Studio
  • Criteria (Miami)
  • Tape Found (Sausalito and Los Angeles)
  • Zellerbach Auditorium (Berkeley)
  • Wally Heider (Los Angeles)
  • Davlen (Due north Hollywood)
Genre
  • Popular stone
  • soft stone
  • folk rock
Length 39:43
Characterization Warner Bros.
Producer
  • Fleetwood Mac
  • Ken Caillat
  • Richard Dashut
Fleetwood Mac chronology
Fleetwood Mac
(1975) 		Rumours
(1977) 		Tusk
(1979)
Singles from Rumours
  1. "Go Your Ain Way"
    Released: Dec 1976
  2. "Dreams"
    Released: 24 March 1977
  3. "Don't Stop"
    Released: April 1977
  4. "Yous Brand Loving Fun"
    Released: September 1977

Rumours is the eleventh studio anthology by British-American rock band Fleetwood Mac, released on 4 February 1977 by Warner Bros. Records. Largely recorded in California in 1976, information technology was produced by the band with Ken Caillat and Richard Dashut. The band wanted to expand on the commercial success of their self-titled 1975 album. The group recorded the album in the aftermath of human relationship breakups among its members and heavy drug utilize, both of which shaped the album'south lyrics.

Recorded with the intention of making "a popular album", the album's music included considerable pop rock sounds, characterized by accented rhythms and electric keyboards such every bit the Fender Rhodes and Hammond B3 organ. The anthology was postponed by delays in the mixing procedure. Following the anthology's release, Fleetwood Mac undertook worldwide promotional tours. Rumours became the band's get-go number-one album on the U.k. Albums Nautical chart and too topped the US Billboard 200. The songs "Become Your Own Mode", "Dreams", "Don't Stop", and "You Make Loving Fun" were released as singles, all of which reached the US pinnacle ten, with "Dreams" reaching number one.

Rumours was an instant commercial success, selling over 10 million copies worldwide within just a calendar month of its release. It garnered widespread acclaim from critics, with praise centred on its production quality and harmonies, which frequently relied on the interplay amidst three vocalists and has inspired the piece of work of musical acts in unlike genres. It won Album of the Year at the 1977 Grammy Awards. It has sold over 40 one thousand thousand copies worldwide, making it one of the best-selling albums of all time. Domestically, information technology has received Diamond certifications in several countries, including the UK, Canada, and Australia, and has been certified 20× platinum in the United states.

Often considered Fleetwood Mac'south magnum opus, Rumours has often been cited as one of the greatest albums of all time. In 2004, Rumours was remastered and reissued with the addition of "Silver Springs", which had been excluded from the original, and a bonus CD of outtakes from the recording sessions. In 2003, information technology was inducted into the Grammy Hall of Fame.[1] In 2018, information technology was selected for preservation in the National Recording Registry, existence deemed "culturally, historically, or artistically significant" past the Library of Congress.[2] In 2020, Rumours was rated the seventh-greatest anthology of all time in Rolling Stone 's list of the "500 Greatest Albums of All Time".[iii]

Groundwork [edit]

In July 1975, Fleetwood Mac's eponymous tenth anthology was released to not bad commercial success, reaching No. 1 in the U.S. in 1976. The record's biggest hit single, "Rhiannon", gave the band extensive radio exposure. At the time, Fleetwood Mac's line-up consisted of guitarist and vocalist Lindsey Buckingham, drummer Mick Fleetwood, keyboard thespian and vocalist Christine McVie, bass guitarist John McVie, and vocalist Stevie Nicks. Later six months of non-stop touring, the McVies divorced, ending eight years of marriage.[4] [v] The couple stopped talking to each other socially and discussed just musical matters.[6] Buckingham and Nicks—who had joined the band earlier 1975'due south Fleetwood Mac after guitarist Bob Welch had left[7]—were having an on/off relationship that led them to fight often. The duo's arguments stopped only when they worked on songs together.[8] Fleetwood faced domestic issues of his own after discovering that his wife Jenny, mother of his two children, had had an matter with his best friend.[ix]

Press intrusions into the band members' lives led to inaccurate stories. Christine McVie was reported to take been in the hospital with a serious disease, while Buckingham and Nicks were declared the parents of Fleetwood's daughter Lucy after being photographed with her. The press also wrote about a rumoured return of original Fleetwood Mac members Peter Green, Danny Kirwan, and Jeremy Spencer for a 10th anniversary tour.[10] Despite fake reports, the ring did not change its lineup, although its members had no time to come to terms with the separations before recording for a new album began.[half dozen] Fleetwood has noted the "tremendous emotional sacrifices" made past everyone simply to nourish studio work.[eleven] In early 1976, Fleetwood Mac crafted some new tracks in Florida.[12] Founding members Fleetwood and John McVie chose to dispense with the services of their previous producer, Keith Olsen, because he favoured a lower emphasis on the rhythm section. The duo formed a company called Seedy Management to represent the ring's interests.[13]

Recording [edit]

Large, wooden building with a brown door (showing woodland animals play musical instruments) located in the bottom, centre left, and the large numbers "2200" painted in white above the door, centre-right. Asymmetrical trees with hanging foliage frame the building on all sides, while on the asphalt in the foreground, there are parking spaces and a disabled person sign.

Rumours was largely recorded in Sausalito's Record Plant, a wooden structure with few windows, located at 2200 Marinship Fashion.

Cityscape containing a seafront and, mostly in the top right-hand corner, a hillside with houses. Shrubbery and asphalt are present in the foreground.

Fleetwood Mac'due south female members lived in two of Sausalito'southward seafront properties, while the men resided at the Record Institute's hillside accommodation.

In February 1976, Fleetwood Mac convened at the Record Plant in Sausalito, California, with hired engineers Ken Caillat and Richard Dashut. Production duties were shared by the three parties, while the more technically adept Caillat was responsible for about of the engineering; he took a leave of absence from Wally Heider Studios in Los Angeles on the premise that Fleetwood Mac would eventually utilize their facilities.[14] The set-upwardly in Sausalito included a number of modest recording rooms in a big, windowless, wooden building. Almost band members complained well-nigh the studio and wanted to record at their homes, but Fleetwood did not let any moves.[15] Christine McVie and Nicks decided to live in 2 condominiums well-nigh the metropolis'due south harbour, while the male contingent stayed at the studio's society in the adjacent hills.[16] Recording occurred in a 6-by-nine-metre (xx past xxx ft) room which included a 3M 24-runway tape automobile, a range of high-quality microphones, and an API mixing panel with 550A equalisers; the latter were used to control frequency differences or a rails's timbre. Although Caillat was impressed with the set up-up, he felt that the room lacked ambience considering of its "very dead speakers" and large amounts of soundproofing.[14]

The record'south working title in Sausalito was Yesterday'south Gone.[17] Buckingham took charge of the studio sessions to make "a popular album".[18] According to Dashut, while Fleetwood and the McVies came from an improvisational blues-rock groundwork, the guitarist understood "the craft of record making".[19] During the formative stages of compositions, Buckingham and Christine McVie played guitar and piano together to create the anthology's basic structures. The latter was the simply classically trained musician in Fleetwood Mac, merely both shared a similar sense of musicality.[xx] When the ring jammed, Fleetwood often played his drum kit outside the studio's partitioning screen to better gauge Caillat's and Dashut'south reactions to the music'due south groove.[21] Baffles were placed around the drums and around John McVie, who played his bass guitar facing Fleetwood. Buckingham performed shut to the rhythm section, while Christine McVie's keyboards were kept away from the pulsate kit. Caillat and Dashut spent almost 9 days working with a range of microphones and amplifiers to get a larger sound, before discovering they could suit the audio effectively on the API mixing console.[14]

As the studio sessions progressed, the ring members' new intimate relationships that formed afterwards diverse separations started to have a negative effect on Fleetwood Mac.[22] [23] The musicians did not run across or socialise after their daily work at the Record Institute. At the time, the hippie movement however affected Sausalito's culture and drugs were readily available. Open-ended budgets enabled the band and the engineers to get self-indulgent;[15] [24] sleepless nights and the extensive utilize of cocaine marked much of the anthology'south production.[eleven] Chris Stone, one of the Record Plant's owners, indicated in 1997 that Fleetwood Mac brought "backlog at its most excessive" by taking over the studio for long and extremely expensive sessions; he stated, "The band would come up in at 7 at night, have a large banquet, party till 1 or 2 in the morning, and and so when they were so whacked-out they couldn't do anything, they'd start recording".[25]

"Trauma, Trau-ma. The sessions were similar a cocktail party every night—people everywhere. We ended upward staying in these weird hospital rooms ... and of class John and me were not exactly the best of friends."[four]

—Christine McVie, on the emotional strain when making Rumours in Sausalito

Nicks has suggested that Fleetwood Mac created the best music when in the worst shape,[24] while, according to Buckingham, the tensions between band members informed the recording process and led to "the whole being more than the sum of the parts".[23] The couple's piece of work became "bloodshot" after their final split, although Buckingham all the same had a skill for taking Nicks' tracks and "making them beautiful".[26] The vocal harmonies between the duo and Christine McVie worked well and were captured using the best microphones available.[xiv] Nicks' lyrical focus allowed the instrumentals in the songs that she wrote to be looser and more abstract.[27] According to Dashut, all the recordings captured "emotion and feeling without a middle man ... or tempering".[9] John McVie tended to disharmonism with Buckingham about the make-upwards of songs, simply both acknowledge to achieving good outcomes.[28] Christine McVie's "Songbird", which Caillat felt needed a concert hall'southward ambient, was recorded during an all-night session at Zellerbach Auditorium in Berkeley, across San Francisco Bay from Sausalito.[29]

Following over two months in Sausalito, Fleetwood arranged a 10-day tour to give the band a break and go fan feedback. Afterwards the concerts, recording resumed at venues in Los Angeles,[xiii] including Wally Heider Studios. Christine McVie and Nicks did not nourish most of the sessions and took fourth dimension off until they were needed to record any remaining vocals. The rest of Fleetwood Mac, with Caillat and Dashut, struggled to finalise the overdubbing and mixing of Rumours after the Sausalito tapes were damaged by repeated use during recording; the kick and snare pulsate audio tracks sounded "lifeless".[14] A sell-out autumn bout of the The states was cancelled to allow the completion of the album,[four] whose scheduled release appointment of September 1976 was pushed back.[30] A specialist was hired to rectify the Sausalito tapes using a vari-speed oscillator. Through a pair of headphones which played the damaged tapes in his left ear and the condom master recordings in his right, he converged their respective speeds aided by the timings provided by the snare and hi-hat audio tracks.[xiv] Fleetwood Mac and their co-producers wanted a "no-filler" final product, in which every track seemed a potential single. Afterward the final mastering stage and hearing the songs dorsum-to-back, the ring members sensed they had recorded something "pretty powerful".[31]

Promotion and release [edit]

A blonde, female singer and a male acoustic guitarist are performing together in concert.

In autumn 1976, while still recording, Fleetwood Mac showcased tracks from Rumours at the Universal Amphitheatre in Los Angeles.[4] John McVie suggested the album title to the band considering he felt the members were writing "journals and diaries" about each other through music.[32] Warner Bros. confirmed the release details to the printing in Dec and chose "Get Your Own Manner" as a December 1976 promotional unmarried.[33] [34] The label'due south aggressive marketing of 1975's Fleetwood Mac, in which links with dozens of FM and AM radio stations were formed beyond America, aided the promotion of Rumours.[35] At the time, the album'due south accelerate lodge of 800,000 copies was the largest in Warner Bros.' history.[36]

Rumours was released on four February 1977 in the US, and a week later in the UK.[37] [38] The front comprehend features a stylised shot of Fleetwood and Nicks dressed in her "Rhiannon" stage persona, while the dorsum has a montage of band portraits; all the photographs were taken by Herbert Worthington.[21] On 28 February 1977, after rehearsing at SIR Studios in Los Angeles, Fleetwood Mac started a seven-month-long promotional bout of America.[37] Nicks has noted that, after performing by and large Rumours songs during gigs, the band initially encountered poor receptions from fans who were not accustomed to the new cloth.[39] A one-off March functioning at a benefit concert for United States Senator Birch Bayh in Indiana was followed by a short European bout of the United kingdom of great britain and northern ireland, kingdom of the netherlands, France, and Germany in April.[4] [twoscore] Nigel Williamson of Uncut chosen Fleetwood Mac'south performances "rock's greatest soap opera".[41] "Dreams", released in March 1977, became the band's but number one on the US Billboard Hot 100 in June.[42]

Composition [edit]

Lyrics [edit]

Fleetwood Mac's master writers — Buckingham, Christine McVie and Nicks — worked individually on songs simply sometimes shared lyrics with each other. "The Chain" is the only track on which all members, including Fleetwood and John McVie, collaborated. All songs on Rumours concern personal, frequently troubled relationships.[21] According to Christine McVie, the fact that the lyricists were focusing on the various separations became credible to the ring only in hindsight.[32] "You Brand Loving Fun" is most her boyfriend, Fleetwood Mac's lighting manager, whom she dated after splitting from John.[22] Nicks' "Dreams" details a breakup and has a hopeful bulletin, while Buckingham'south like endeavour in "Become Your Own Manner" is more than pessimistic.[43] After a brusk fling with a New England adult female, he was inspired to write "Never Going Back Over again", a song almost the illusion of thinking that sadness volition never occur over again one time content with life. The lines "Been down one time/Been down two times" refer to the lyricist'south efforts when persuading the woman to requite him a chance.[21]

"Don't Terminate", written by Christine McVie, is a song near optimism. She noted that Buckingham helped her craft the verses considering their personal sensibilities overlapped.[21] McVie'southward adjacent track, "Songbird", features more than introspective lyrics about "nobody and everybody" in the course of "a little prayer".[44] "Oh Daddy", the last McVie song on the album, was written about Fleetwood and his wife Jenny Boyd, who had merely got back together.[45] [46] [47] The ring'south nickname for Fleetwood was "the Big Daddy".[21] McVie commented that the writing is slightly sarcastic and focuses on the drummer's direction for Fleetwood Mac, which always turned out to be right. Nicks provided the final lines "And I can't walk away from y'all, baby/If I tried". Her own song "Gold Dust Adult female" is inspired by Los Angeles and the hardship encountered in such a city.[21] Later on struggling with the rock lifestyle, Nicks became addicted to cocaine; the lyrics accost her belief in "keeping going".[48]

Music [edit]

Featuring a soft rock and pop rock audio,[49] [50] Rumours is built around a mix of acoustic and electric instrumentation. Buckingham's guitar work and Christine McVie's use of Fender Rhodes piano or Hammond B-3 organ are present on all but two tracks. The record ofttimes includes stressed drum sounds and distinctive percussion such as congas and maracas. It opens with "2nd Hand News", originally an acoustic demo titled "Strummer". Subsequently hearing Bee Gees' "Jive Talkin'", Buckingham and co-producer Dashut built up the song with four sound tracks of electric guitar and the use of chair percussion to evoke Celtic rock. "Dreams" includes "ethereal spaces" and a recurring 2 note pattern on the bass guitar.[21] Nicks wrote the song in an afternoon and led the vocals, while the ring played around her. The third rail on Rumours, "Never Going Back Again", began as "Brushes", a elementary acoustic guitar tune played past Buckingham, with snare rolls by Fleetwood using brushes; the band added vocals and further instrumental audio tracks to go far more than layered.[51] [52] Inspired by triple step dancing patterns, "Don't Cease" includes both conventional acoustic and tack piano. In the latter musical instrument, nails are placed on the points where the hammers hit the strings, producing a more percussive sound. "Go Your Own Way" is more guitar-oriented and has a iv-to-the-flooring dance beat out influenced by The Rolling Stones' "Street Fighting Man". The album's pace slows downward with "Songbird", conceived solely by Christine McVie using a 9-pes Steinway pianoforte.[21]

Side two of Rumours begins with "The Chain", ane of the record's most complicated compositions. A Christine McVie demo, "Keep Me At that place",[21] and a Nicks song were re-cut in the studio and were heavily edited to course parts of the track.[53] The whole of the band crafted the remainder using an approach akin to creating a pic score; John McVie provided a prominent solo using a fretless bass guitar, which marked a speeding up in tempo and the start of the song'southward final 3rd. Inspired by R&B, "You Make Loving Fun" has a simpler limerick and features a clavinet, a special blazon of keyboard instrument, while the rhythm department plays interlocking notes and beats. The ninth rails on Rumours, "I Don't Want to Know", makes use of a twelve cord guitar and harmonising vocals. Influenced by the music of Buddy Holly, Buckingham and Nicks created it in 1974 before they were in Fleetwood Mac. "Oh Daddy" was crafted spontaneously and includes improvised bass guitar patterns from John McVie and keyboard blips from Christine McVie. The anthology ends with "Gold Dust Woman", a vocal inspired past free jazz, which has music from a harpsichord, a Fender Stratocaster guitar, and a dobro, an audio-visual guitar whose sound is produced past one or more than metallic cones.[21]

Disquisitional reception [edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 99/100
(deluxe version) [54]
Review scores
Source Rating
AllMusic [55]
Blender [56]
Christgau's Tape Guide A[57]
Entertainment Weekly A[58]
The Contained [59]
Mojo [threescore]
Pitchfork 10/x[61]
Rolling Stone [62]
The Rolling Stone Anthology Guide [63]
Uncut [64]

Rumours has been acclaimed by music critics since its release. Robert Christgau, reviewing in The Village Phonation, described it as "more consistent and more than eccentric" than its predecessor. He added that it "jumps correct out of the speakers at y'all".[65] Rolling Rock mag'south John Swenson believed the interplay amidst the 3 vocalists was ane of the album's about pleasing elements; he stated, "Despite the interminable delay in finishing the record, Rumours proves that the success of Fleetwood Mac was no fluke."[66] In a review for The New York Times, John Rockwell said the anthology is "a delightful deejay, and one hopes the public thinks then, likewise",[67] while Dave Marsh of the St. Petersburg Times claimed the songs are "as grandly glossy as annihilation right now".[68] Robert Hilburn was less receptive and called Rumours a "frustratingly uneven" record in his review for the Los Angeles Times,[69] while Juan Rodriguez of The Gazette suggested that, while the music is "crisper and clearer", Fleetwood Mac'south ideas are "slightly more muddled".[70] The album finished fourth in The Village Voice 'south 1977 Pazz & Jop critics' poll, which aggregated the votes of hundreds of prominent reviewers.[71]

In a retrospective review, AllMusic editor Stephen Thomas Erlewine gave Rumours five stars and noted that, regardless of the voyeuristic element, the record was "an unparalleled blockbuster" because of the music's quality; he concluded, "Each tune, each phrase regains its raw, immediate emotional power—which is why Rumours touched a nerve upon its 1977 release, and has since transcended its era to exist ane of the greatest, almost compelling pop albums of all fourth dimension."[55] According to Camber Mag 'southward Barry Walsh, Fleetwood Mac drew on romantic dysfunction and personal turmoil to create a timeless, five-star record,[72] while Andy Gill of The Independent claimed information technology "represents, along with The Eagles Greatest Hits, the loftier-h2o mark of America's Seventies rock-culture expansion, the quintessence of a counter-cultural mindset lured into coke-fuelled hedonism".[59] In 2007, the BBC's Daryl Easlea labelled the sonic results as "well-nigh perfect", "like a thou angels kissing you lot sweetly on the forehead",[73] while Patrick McKay of Stylus Magazine wrote, "What distinguishes Rumours—what makes it fine art—is the contradiction between its cheerful surface and its anguished centre. Here is a radio-friendly record about anger, recrimination, and loss."[74]

Commercial performance [edit]

Rumours was a huge commercial success and became Fleetwood Mac's 2nd Usa number-one record, following the 1975 eponymous release.[42] Information technology stayed at the top of the Billboard 200 for 31 non-consecutive weeks,[17] while besides reaching number one in the United kingdom, Australia, Canada,[xl] and New Zealand.[75] In May 2011 it re-entered Billboard 200 nautical chart at number xi, and the Australian ARIA chart at number 2, due to several songs from the album being used for the "Rumours" episode of the American TV series Glee.[76] [77] It re-entered the Billboard 200 meridian ten in October 2020 in the wake of a viral TikTok by Nathan Apodaca which showed him skateboarding while "Dreams" played, even prompting Mick Fleetwood and Stevie Nicks to create similar videos.[78] [79] The anthology was certified platinum in America and the UK within months of release later i million units and 300,000 units were shipped, respectively.[fourscore] [81] All 3 major United states of america merchandise publications—Billboard, Greenbacks Box, and Tape World—named it Album of the Year for 1977.[82] After a debut at number 7, Rumours peaked at the top of the UK Albums Chart in January 1978, condign Fleetwood Mac's offset number one anthology in the state.[83] In February, the ring and co-producers Caillat and Dashut won the 1978 Grammy Award for Anthology of the Year.[42] Past March, the album had sold over 10 million copies worldwide, including over viii million in the US alone.[82]

Past 1980, 13 1000000 copies of Rumours had been sold worldwide.[84] As of 2017, sales were over 40 million copies.[85] [45] As of October 2019[update], Rumours has spent 800 weeks in the Great britain Top 100 album chart and is the 11th acknowledged album in UK history and is certified fourteen× platinum by the British Phonographic Manufacture, the equivalent of iv.2 million units shipped.[81] The tape has received a Diamond Laurels from the Recording Manufacture Association of America for a 20× platinum certification or 20 meg copies shipped, making it, as of 2021[update], tied for the eleventh highest certified anthology in US history (by number of copies shipped).[86] Rumours was the U.k.'s bestselling album on vinyl during 2020, with the Official Charts Company confirming 32,500 annual sales in the format.[87]

Legacy [edit]

Mick Fleetwood has called Rumours "the almost important anthology we always made", because its success allowed the group to continue recording for years to come.[88] Popular culture journalist Chuck Klosterman links the record's sales figures to its "actually likable songs" only suggests that "no justification for greatness" is intrinsically provided by them.[89] The Guardian collated worldwide data in 1997 from a range of renowned critics, artists, and radio DJs, who placed the tape at number 78 in the listing of the 100 Best Albums Ever.[90] In 1998, Legacy: A Tribute to Fleetwood Mac's Rumours was produced by Fleetwood and released. The record contained each vocal of the original Rumours covered by a dissimilar human action influenced by it. Amidst the musicians involved were alternative stone bands Tonic, Matchbox twenty, and Goo Goo Dolls, Celtic rock groups The Corrs and The Cranberries, and singer-songwriters Elton John, Duncan Sheik, and Gem.[91] Other diverse acts influenced by Rumours include baroque pop creative person Tori Amos,[92] hard rock group Saliva,[93] indie rock band Expiry Cab for Cutie,[94] and fine art popular singer Lorde, who called it a "perfect record".[95]

"There was a time when Fleetwood Mac's Rumours was just seen as an anthology that sold incredibly well; over the past five years, though, it's become more than acceptable to allocate Rumours every bit great in and of itself."[89]

—Chuck Klosterman in 2004, on recognition for the record

In 1998, Q placed Rumours at number iii—behind The Clash's London Calling and Pink Floyd'south The Dark Side of the Moon—in its listing of 50 Best Albums of the 70s.[96] In 1999, Vibe featured it every bit one of 100 Essential Albums of the 20th Century.[97] In 2001, VH1 ranked the tape at number 16 during its 100 Greatest Albums countdown,[89] while Slant included it as 1 of 50 Essential Pop Albums.[98] The same year, U.s. Today placed Rumours at number 23 in its Top 40 Albums list,[99] while Rolling Stone ranked it at number 25 in its special issue of "The 500 Greatest Albums of All Time", the highest Fleetwood Mac record,[100] and 26 in a 2012 revised list.[101] In 2000 it was voted number 31 in Colin Larkin's All Time Top thou Albums.[102] In 2006, Time named information technology in its All-Fourth dimension 100 Albums shortlist,[103] while Mojo featured it in its unnumbered list of lxx from the 1970s: Decade's Greatest Albums.[104] The record is included in both The Guardian 'southward "1000 Albums to Hear Before You lot Dice" and the book 1001 Albums Yous Must Hear Earlier You Die.[105] [106] For the 2013 reissue of the anthology, Pitchfork 's Jessica Hopper gave the album a rare x out of 10, earning it a "best new reissue" designation.[61] In 2022, to celebrate the anthology's 45th anniversary, Apple Music made the anthology available to be streamed and downloaded in Dolby Atmos.[ commendation needed ]

Runway list [edit]

Side ane
No. Title Writer(south) Lead vocals Length
1. "Second Mitt News" Lindsey Buckingham Buckingham ii:56
2. "Dreams" Stevie Nicks Nicks 4:eighteen
3. "Never Going Back Again" Buckingham Buckingham 2:fourteen
4. "Don't Cease" Christine McVie C. McVie with Buckingham 3:13
5. "Go Your Ain Manner" Buckingham Buckingham 3:43
6. "Songbird" C. McVie C. McVie 3:twenty
Side 2
No. Title Writer(southward) Lead vocals Length
one. "The Chain"
  • Buckingham
  • Mick Fleetwood
  • C. McVie
  • John McVie
  • Nicks
 Buckingham with C. McVie and Nicks four:xxx
ii. "You Make Loving Fun" C. McVie C. McVie 3:31
three. "I Don't Desire to Know" Nicks Nicks with Buckingham 3:15
iv. "Oh Daddy" C. McVie C. McVie 3:56
five. "Gold Grit Woman" Nicks Nicks iv:56
Remastered and reissued version 2004
No. Title Writer(s) Atomic number 82 vocals Length
12. "Silvery Springs" Nicks Nicks 4:48
Full length: 44:06

Personnel [edit]

Adjusted from the album's credits and AllMusic.[21] [55] [107]

Fleetwood Mac

  • Lindsey Buckingham – lead vocals (tracks ane, 3-5, 7), backing vocals (tracks ii, 6, 8, x, eleven), harmonies ("Silver Springs"), electrical guitars (tracks 1, 2, 4, five, vii, 10), audio-visual guitars (tracks 1-3, 10), 12-cord audio-visual guitar (track 5), 12 string guitar (track ix), guitars (tracks viii, 11, "Silverish Springs"), chair percussion (track 1), tom toms (tracks 1, 8), dobro (tracks 7, eight)
  • Stevie Nicks – atomic number 82 vocals (tracks ii, seven, eleven, "Silvery Springs"), backing vocals (tracks 1, 2, four, 5, 8), harmony vocals (track 7), tambourine (tracks four, 8), hand claps (track 9)
  • Christine McVie – lead vocals (tracks 4, 6, eight, ten), backing vocals (tracks 1, 2, 5, 11), harmony vocals (tracks seven, "Silver Springs"), organ (tracks one, two), vibraphone (track 2), Fender Rhodes (tracks two, 11), piano (tracks four, half dozen, 10, "Silver Springs"), tack piano (rail 4), Vocalism Continental (rail four), Hammond organ (tracks 5, vii), harmonium (rails vii), electrical piano (rails 8), clavinet (track 8), Hammond B3 (tracks 8, 10), Wurlitzer (track 9), Moog (track ten), keyboards ("Silver Springs")
  • John McVie – bass guitar (tracks ane, 2, 4, 5, 8-xi, "Silver Springs"), fretless bass guitar (rails 7)
  • Mick Fleetwood – drums (tracks one, 2, 4, 5, vii-eleven, "Silver Springs"), shakers (track 1), marching snare drum (track i), maracas (track v), cymbals (track 5), tambourine (tracks 7, ix), wind chimes (track 8), castanets (tracks viii, 10), gong (rail 10), cowbell (track xi), processed electrical harpsichord (track 11), sound furnishings (rails 11), percussion ("Silver Springs")

Charts [edit]

Certifications and sales [edit]

References [edit]

  1. ^ "Fleetwood Mac". GRAMMY.com. xix Nov 2019. Retrieved 15 January 2020.
  2. ^ "National Recording Registry Reaches 500". Library of Congress. 21 March 2018. Retrieved 21 March 2018.
  3. ^ "The Rolling Stone 500 Greatest Albums of All Time: No. 7 Fleetwood Mac Rumours". Rolling Stone . Retrieved 22 September 2020.
  4. ^ a b c d due east Crowe, Cameron (24 March 1977). "The Truthful Life Confessions of Fleetwood Mac". Rolling Stone. No. 235.
  5. ^ Adelson, Martin E. "Christine McVie". world wide web.fleetwoodmac.net. Archived from the original on 9 May 2008. Retrieved 14 Apr 2017.
  6. ^ a b Classic Albums 2004, 09:xv–11:50
  7. ^ Classic Albums 2004, 01:25–02:35
  8. ^ Classic Albums 2004, 05:20–05:xxx
  9. ^ a b Classic Albums 2004, 22:xx–23:45
  10. ^ Brunning 2004, p. 108
  11. ^ a b Rooksby 2005, p. 59
  12. ^ Brackett 2007, p. 118.
  13. ^ a b Brunning 2004, p. 111
  14. ^ a b c d e f Buskin, Richard (August 2007). "Archetype Tracks: Fleetwood Mac 'Get Your Own Style'". Sound on Sound . Retrieved 30 Dec 2009.
  15. ^ a b Classic Albums 2004, 11:50–12:30
  16. ^ Archetype Albums 2004, 31:30–32:55
  17. ^ a b Rooksby 2005, p. sixty
  18. ^ Archetype Albums 2004, xx:10–21:05
  19. ^ Archetype Albums 2004, 04:twoscore–05:00
  20. ^ Classic Albums 2004, 07:00–07:35
  21. ^ a b c d e f g h i j k l m n Fleetwood Mac (2001). Making of Rumours (DVD-Audio (Rumours)). Warner Bros.
  22. ^ a b Classic Albums 2004, 07:45–08:55
  23. ^ a b Archetype Albums 2004, 12:45–thirteen:40
  24. ^ a b Classic Albums 2004, 32:55–34:45
  25. ^ Verna, Paul (8 November 1997). "Bay Area's Constitute Marks 25 Years". Billboard. p. 45.
  26. ^ Classic Albums 2004, xvi:00–17:15
  27. ^ Classic Albums 2004, 29:20–29:thirty
  28. ^ Archetype Albums 2004, 19:x–20:x
  29. ^ Classic Albums 2004, 41:20–41:45
  30. ^ Brunning 2004, p. 110
  31. ^ Classic Albums 2004, 50:30–51:50
  32. ^ a b Classic Albums 2004, 06:00–06:30
  33. ^ Hunt, Dennis (19 December 1976). "Melanie—Just Trying to Modify Her Image". Los Angeles Times. p. V97.
  34. ^ "Billboard's Tiptop Single Picks: Pop". Billboard. viii January 1977. p. 56.
  35. ^ Gurza, Agustin (14 May 1977). "Number One With a Star: The Inside Of Making a Hit Record". Billboard. p. 40.
  36. ^ Brackett 2007, p. 125.
  37. ^ a b Rees, Dafydd; Crampton, Luke (1991). Rock Movers & Shakers. Billboard Books. p. 192. ISBN0-8230-7609-ane.
  38. ^ Warwick, Neil; Kutner, Jon; Chocolate-brown, Tony, eds. (2004). The Complete Book of the British Charts: Singles & Albums. Motorbus Press. p. 414. ISBN1-84449-058-0.
  39. ^ Flick, Larry (17 Feb 2001). "Reprise's Nicks Returns With Crow in Tow". Billboard. pp. ane, 13.
  40. ^ a b c "iii Times 2 For Warner'south". Billboard. thirty April 1977. p. 95.
  41. ^ Brackett 2007, p. 123.
  42. ^ a b c "Fleetwood Mac: Charts & Awards". AllMusic . Retrieved 28 Dec 2009.
  43. ^ Classic Albums 2004, 27:50–28:10
  44. ^ Archetype Albums 2004, 42:20–42:35
  45. ^ a b c Caillat, Ken; Stiefel, Steve (five March 2012). Making Rumours: The Inside Story of the Archetype Fleetwood Mac Anthology . John Wiley & Sons. p. 14, 74. ISBN9781118282366 . Retrieved nineteen March 2013.
  46. ^ Adelson, Martin; Adelson, Lisa. "Jenny Boyd". fleetwoodmac.net. Archived from the original on 12 March 2013. Retrieved 19 March 2013.
  47. ^ Boyd, Jenny; George-Warren, Holly (i May 1992). Musicians in Tune . Simon & Schuster. ISBN9780671734404 . Retrieved xix March 2013. mick fleetwood jenny remarried 1976.
  48. ^ a b Archetype Albums 2004, 28:25–28:55
  49. ^ Lachno, James (27 January 2013). "Fleetwood Mac's Rumours: Why the under-30s however love it". The Daily Telegraph. Archived from the original on 12 January 2022. Retrieved 25 February 2016.
  50. ^ Boyd, Brian (1 Feb 2013). "'Rumours' – popular-rock perfection". The Irish Times . Retrieved 25 February 2016.
  51. ^ Caillat 2012, pp. 144–145. Archived iii January 2014 at the Wayback Machine
  52. ^ Walsh, Christopher (23 December 2000). "Surround-Sound Demonstrations Impress Confab Attendees". Billboard. p. 44.
  53. ^ Classic Albums 2004, 54:ten–55:40
  54. ^ "Rumours [35th Ceremony Palatial Edition] past Fleetwood Mac Reviews and Tracks". Metacritic . Retrieved 25 October 2020.
  55. ^ a b c Erlewine, Stephen Thomas. "Rumours – Fleetwood Mac". AllMusic . Retrieved thirteen July 2015.
  56. ^ Collis, Clark (April–May 2002). "Fleetwood Mac: Rumours". Blender. No. 7. Archived from the original on xix October 2006. Retrieved 9 Dec 2017.
  57. ^ Christgau, Robert (1981). "Fleetwood Mac: Rumours". Christgau's Tape Guide: Rock Albums of the Seventies. Ticknor and Fields. ISBN0-89919-026-X . Retrieved 13 July 2015.
  58. ^ Brunner, Rob (18 April 2003). "So Play On; Bare Trees; Fleetwood Mac; Rumours; Tusk; Time". Entertainment Weekly . Retrieved eleven October 2020.
  59. ^ a b Gill, Andy (25 Jan 2013). "Album review: Fleetwood Mac, Rumours: Super Deluxe Remastered Version (Rhinoceros)". The Independent. Archived from the original on 29 January 2013. Retrieved ix Dec 2017.
  60. ^ "Fleetwood Mac: Rumours". Mojo. No. 232. March 2013. p. 100.
  61. ^ a b Hopper, Jessica (8 February 2013). "Fleetwood Mac: Rumours". Pitchfork . Retrieved xiv July 2015.
  62. ^ Rosen, Jody (13 February 2013). "Rumours: Deluxe Edition". Rolling Rock . Retrieved 9 Dec 2017.
  63. ^ Coleman, Mark; Kemp, Mark (2004). "Fleetwood Mac". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 303–04. ISBN0-7432-0169-8.
  64. ^ Carlin, Marcello (April 2004). "Cocaine heights". Uncut. No. 83. p. 112.
  65. ^ Christgau, Robert (21 March 1977). "Christgau'southward Consumer Guide". The Village Vocalism . Retrieved xi October 2020.
  66. ^ Swenson, John (21 Apr 1977). "Fleetwood Mac: Rumours". Rolling Rock. Archived from the original on xx June 2008. Retrieved 28 December 2009.
  67. ^ Rockwell, John (4 February 1977). "Popular Life; New Fleetwood Mac Album, Leo Sayer Makes Information technology on His Own". The New York Times. p. 53.
  68. ^ Marsh, Dave (xvi March 1977). "Fleetwood Mac gloss merely hides more gloss". St. Petersburg Times. p. 3D.
  69. ^ Hilburn, Robert (27 March 1977). "Petty & the Heartbreakers Merit a Second Hearing". Los Angeles Times. p. W74.
  70. ^ Rodriguez, Juan (19 March 1977). "Spin Off: The perils of success". The Gazette. p. 41.
  71. ^ "The 1977 Pazz & Jop Critics Poll". The Hamlet Voice. 23 Jan 1978. Retrieved 28 Dec 2009.
  72. ^ Walsh, Barry (19 April 2004). "Fleetwood Mac: Rumours". Slant Magazine . Retrieved 28 Dec 2009.
  73. ^ Easlea, Daryl (14 December 2007). "Fleetwood Mac Rumours Review". BBC Music . Retrieved 28 Dec 2009.
  74. ^ McKay, Patrick (14 August 2007). "Fleetwood Mac – Rumours – The Diamond". Stylus Magazine. Archived from the original on xvi Nov 2007. Retrieved 28 Dec 2009.
  75. ^ "charts.nz Fleetwood Mac – Rumours" (ASP). Hung Medien. Recording Industry Association of New Zealand. Retrieved 1 July 2013.
  76. ^ Caulfield, Keith (14 May 2011). ""Rumours" Has Information technology". Billboard. p. 35.
  77. ^ Padilla, Florida (23 May 2011). "Fleetwood Mac's Rumours surprise improvement tops ARIA charts". International Business organisation Times.
  78. ^ "Billboard 200 Chart". Billboard . Retrieved 20 October 2020.
  79. ^ "Here'south a Timeline of the Viral 'Dreams' TikTok, From Cranberry Juice Gifts to Stevie Nicks' Recreation". Billboard . Retrieved 20 October 2020.
  80. ^ "RIAA: Gold & Platinum". Recording Industry Association of America. Archived from the original on 26 June 2007. Retrieved xviii May 2009. Note: User search required.
  81. ^ a b "Certified Awards Search". British Phonographic Manufacture. Archived from the original on 11 May 2011. Retrieved 23 April 2012. Annotation: User search required.
  82. ^ "Fleetwood Mac > Artists > Official Charts". U.k. Albums Chart. Retrieved six May 2013.
  83. ^ Rourke, Mary (16 March 1980). "Despite Rumours of a Split, Fleetwood Mac Is Rockin' High". The Ledger. p. 6F.
  84. ^ Runtagh, Jordan (3 Feb 2017). "Fleetwood Mac'southward 'Rumours': 10 Things You Didn't Know". Rolling Rock . Retrieved iv February 2021.
  85. ^ "Top 100 Albums". Recording Industry Association of America. Retrieved 27 December 2021. .
  86. ^ Sexton, Paul (6 January 2021). "Rolling Stones, Amy Winehouse Among United kingdom of great britain and northern ireland Vinyl Bestsellers Of 2020". uDiscover Music . Retrieved iv February 2021.
  87. ^ Classic Albums 2004, 56:05–56:25
  88. ^ a b c Klosterman, Chuck (2004). Weisbard, Eric (ed.). This Is Pop: In Search of the Elusive at Feel Music Project [The Carly Simon Principle: Sincerity and Pop Greatness]. Harvard University Press. pp. 261–262. ISBN0-674-01321-2.
  89. ^ "100 All-time Albums Ever". The Guardian. 19 September 1997. Features insert.
  90. ^ "Rumours Tribute Bachelor Now". Rolling Stone. 28 March 1998. Retrieved 28 December 2009. [ dead link ]
  91. ^ Brown, Mark (4 December 2002). "America at Her Gait". Rocky Mountain News. p. 7E.
  92. ^ Keyes, Bob (xxx January 2003). "To Drool For". Portland Press Herald. p. 3D.
  93. ^ Chocolate-brown, Mark (7 October 2005). "Expiry Cab Hails Wide Range of Musical Fare Every bit Influences". Rocky Mountain News. p. 9E.
  94. ^ Lorde (two October 2013). "Influences (VEVO Lift): Brought to Yous by McDonald'southward" (Interview). Interviewed by VEVO. VEVO. Archived from the original on 2 October 2013.
  95. ^ "fifty All-time Albums of the '70s". Q. April 1998. pull-out section.
  96. ^ "100 Essential Albums of the 20th Century". Vibe. Dec 1999. p. 162.
  97. ^ "Vitalpop!". Slant Magazine. 2003. Retrieved xv December 2009.
  98. ^ Gundersen, Edna (5 December 2003). "Tiptop forty albums—the Usa Today way". USA Today . Retrieved 15 December 2009.
  99. ^ "The 500 Greatest Albums of All Time". Rolling Stone. 12 November 2003. p. 104.
  100. ^ "500 Greatest Albums of All Time Rolling Stone'southward definitive list of the 500 greatest albums of all time". Rolling Stone. 2012. Retrieved 23 September 2019.
  101. ^ Larkin, Colin (2000). All Time Acme yard Albums (3rd ed.). Virgin Books. p. 49. ISBN0-7535-0493-6.
  102. ^ Tyrangiel, Josh (thirteen November 2006). "The Best 100 Albums". Fourth dimension. Archived from the original on 17 January 2007. Retrieved xv December 2009.
  103. ^ "70 from the 1970s: Decade's Greatest Albums". Mojo. June 2006. pull-out section.
  104. ^ "Artists beginning with F (1000 Albums to Hear Before You Die)". The Guardian. 19 November 2007. Retrieved fifteen December 2009.
  105. ^ Dimery, Richard, ed. (2008). 1001 Albums You Must Hear Before You Die . Cassell Illustrated. ISBN978-1-84403-624-0.
  106. ^ Bosso, Joe. "Fleetwood Mac's classic album Rumours track-by-runway". MusicRadar . Retrieved xx March 2015.
  107. ^ "Australiancharts.com – Fleetwood Mac – Rumours". Hung Medien. Retrieved 13 March 2021.
  108. ^ "Austriancharts.at – Fleetwood Mac – Rumours" (in German language). Hung Medien. Retrieved 13 March 2021.
  109. ^ "Ultratop.be – Fleetwood Mac – Rumours" (in Dutch). Hung Medien. Retrieved 9 January 2022.
  110. ^ "Ultratop.be – Fleetwood Mac – Rumours" (in French). Hung Medien. Retrieved xiii March 2021.
  111. ^ "Fleetwood Mac Nautical chart History (Canadian Albums)". Billboard. Retrieved xiii March 2021.
  112. ^ "Top Albums/CDs – Volume 32, No. 12". RPM. 15 December 1979. Archived from the original (PHP) on 24 Feb 2014. Retrieved 31 January 2014.
  113. ^ "Danishcharts.dk – Fleetwood Mac – Rumours". Hung Medien. Retrieved 13 March 2021.
  114. ^ "Dutchcharts.nl – Fleetwood Mac – Rumours" (in Dutch). Hung Medien. Retrieved thirteen March 2021.
  115. ^ "Lescharts.com – Fleetwood Mac – Rumours". Hung Medien. Retrieved 13 March 2021.
  116. ^ "Offiziellecharts.de – Fleetwood Mac – Rumours" (in German). GfK Entertainment Charts. Retrieved 13 March 2021.
  117. ^ "Album Height xl slágerlista – 2021. 17. hét" (in Hungarian). MAHASZ. Retrieved half dozen May 2021.
  118. ^ Oricon Album Chart Volume: Complete Edition 1970–2005. Roppongi, Tokyo: Oricon Amusement. 2006. ISBN4-87131-077-9.
  119. ^ "Charts.nz – Fleetwood Mac – Rumours". Hung Medien. Retrieved 13 March 2021.
  120. ^ "Norwegiancharts.com – Fleetwood Mac – Rumours". Hung Medien. Retrieved xiii March 2021.
  121. ^ "Portuguesecharts.com – Fleetwood Mac – Rumours". Hung Medien. Retrieved 13 March 2021.
  122. ^ "Swedishcharts.com – Fleetwood Mac – Rumours". Hung Medien. Retrieved thirteen March 2021.
  123. ^ "Swisscharts.com – Fleetwood Mac – Rumours". Hung Medien. Retrieved 17 January 2021.
  124. ^ "Fleetwood Mac | Artist | Official Charts". UK Albums Chart. Retrieved 13 March 2021.
  125. ^ "Fleetwood Mac Nautical chart History (Billboard 200)". Billboard. Retrieved 13 March 2021.
  126. ^ "Fleetwood Mac Chart History (Superlative Itemize Albums)". Billboard. Retrieved 13 March 2021.
  127. ^ "Fleetwood Mac Nautical chart History (Top Rock Albums)". Billboard. Retrieved 13 March 2021.
  128. ^ Kent, David (1993). Australian Chart Volume 1970–1992 (illustrated ed.). St Ives, N.Due south.Due west.: Australian Chart Book. p. 429. ISBN0-646-11917-6.
  129. ^ "Jaaroverzichten – Album 1977". dutchcharts.nl . Retrieved 13 March 2021.
  130. ^ "Superlative Albums 1977" (PDF). Music Week. 24 December 1977. p. xiv. Archived (PDF) from the original on 9 March 2021. Retrieved 30 Nov 2021 – via worldradiohistory.com.
  131. ^ "Top Billboard 200 Albums – Year-Cease 1977". Billboard . Retrieved 13 March 2021.
  132. ^ Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, Due north.Southward.West.: Australian Nautical chart Book. p. 430. ISBN0-646-11917-6.
  133. ^ "Jaaroverzichten – Anthology 1978". dutchcharts.nl . Retrieved 13 March 2021.
  134. ^ "Pinnacle Selling Albums of 1978 — The Official New Zealand Music Chart". Recorded Music New Zealand. Retrieved 25 January 2022.
  135. ^ "Summit Billboard 200 Albums – Year-End 1978". Billboard . Retrieved 13 March 2021.
  136. ^ "End of Yr 2011" (PDF). UKChartsPlus. Retrieved 17 March 2021.
  137. ^ "ARIA Elevation 100 Albums for 2013". Australian Recording Industry Association. Retrieved 13 March 2021.
  138. ^ "Jaaroverzichten 2013". Ultratop. Retrieved thirteen March 2021.
  139. ^ "Cease of Year Album Chart Top 100 – 2013". Official Charts Company. Retrieved thirteen March 2021.
  140. ^ "Terminate of Year Album Nautical chart Top 100 – 2014". Official Charts Visitor. Retrieved 13 March 2021.
  141. ^ "End of Year Anthology Chart Top 100 – 2016". Official Charts Company. Retrieved 13 March 2021.
  142. ^ "End of Year Anthology Chart Top 100 – 2017". Official Charts Company. Retrieved 13 March 2021.
  143. ^ "Top Billboard 200 Albums – Year-End 2017". Billboard . Retrieved 13 March 2021.
  144. ^ "Elevation Rock Albums – Yr-End 2017". Billboard . Retrieved 13 March 2021.
  145. ^ "ARIA Superlative 100 Albums for 2018". Australian Recording Industry Association. Retrieved 13 March 2021.
  146. ^ "End of Year Album Nautical chart Top 100 – 2018". Official Charts Company. Retrieved 13 March 2021.
  147. ^ "Top Billboard 200 Albums – Year-End 2018". Billboard . Retrieved 13 March 2021.
  148. ^ "Summit Stone Albums – Twelvemonth-Finish 2018". Billboard . Retrieved 13 March 2021.
  149. ^ "Jaaroverzichten 2019". Ultratop. Retrieved 13 March 2021.
  150. ^ "End of Yr Anthology Chart Top 100 – 2019". Official Charts Company. Retrieved 13 March 2021.
  151. ^ "Height Billboard 200 Albums – Twelvemonth-Cease 2019". Billboard . Retrieved 13 March 2021.
  152. ^ "Pinnacle Rock Albums – Year-End 2019". Billboard . Retrieved thirteen March 2021.
  153. ^ "ARIA Top 100 Albums for 2020". Australian Recording Industry Clan. Retrieved xv January 2021.
  154. ^ "Jaaroverzichten 2020". Ultratop. Retrieved 18 December 2020.
  155. ^ "Elevation Canadian Albums – Year-End 2020". Billboard . Retrieved 9 Dec 2020.
  156. ^ "Jaaroverzichten – Album 2020" (in Dutch). MegaCharts. Retrieved half dozen Jan 2021.
  157. ^ White, Jack (x January 2021). "Ireland's Official Peak 50 biggest albums of 2020". Official Charts Company. Retrieved 12 January 2021.
  158. ^ "Tiptop Selling Albums of 2020". Recorded Music NZ. Retrieved 7 December 2020.
  159. ^ "Årslista Album, 2020". Sverigetopplistan. Retrieved twenty January 2021.
  160. ^ "End of Yr Anthology Chart Tiptop 100 – 2020". Official Charts Company. Retrieved 5 January 2021.
  161. ^ "Tiptop Billboard 200 Albums – Yr-End 2020". Billboard . Retrieved 4 December 2020.
  162. ^ "Summit Rock Albums – Year-End 2020". Billboard . Retrieved thirteen March 2021.
  163. ^ "ARIA Top 100 Albums for 2021". Australian Recording Industry Association. Retrieved 13 January 2022.
  164. ^ "Jaaroverzichten 2021". Ultratop. Retrieved five Jan 2022.
  165. ^ "Top Canadian Albums – Year-Terminate 2021". Billboard . Retrieved three December 2021.
  166. ^ "Album Peak-100 2021". Hitlisten. Retrieved half dozen January 2022.
  167. ^ "Jaaroverzichten – Album 2021". dutchcharts.nl (in Dutch). Retrieved 4 January 2022.
  168. ^ Griffiths, George (9 January 2022). "Ireland'south official biggest albums of 2021". Official Charts Visitor. Retrieved 9 January 2022.
  169. ^ "Summit Selling Albums of 2021". Recorded Music NZ. Archived from the original on 24 Jan 2022. Retrieved 24 January 2022.
  170. ^ "Årslista Album, 2021". Sverigetopplistan. Retrieved xiv January 2022.
  171. ^ Griffiths, George (4 January 2022). "The Official Top 40 biggest albums of 2021". Official Charts Company. Retrieved 4 January 2022.
  172. ^ "Billboard 200 Albums – Year-Stop 2021". Billboard . Retrieved three December 2021.
  173. ^ "Top Stone Albums – Year-End 2021". Billboard . Retrieved 3 December 2021.
  174. ^ "The Tribal Mind Archive: The Music Australia Loved". The Sydney Morning Herald. ane Jan 2013. Archived from the original on 12 January 2014. Retrieved 28 Jan 2021.
  175. ^ "ARIA Charts – Accreditations – 2011 Albums" (PDF). Australian Recording Manufacture Association. Retrieved 28 January 2021.
  176. ^ "Canadian album certifications – Fleetwood Mac – Rumours". Music Canada. Retrieved 28 Jan 2021.
  177. ^ "Danish album certifications – Fleetwood Mac – Rumours". IFPI Danmark. Retrieved 28 January 2021.
  178. ^ "French album certifications – Fleetwood Mac – Rumours" (in French). Syndicat National de l'Édition Phonographique. Retrieved 28 Jan 2021.
  179. ^ "Gold-/Platin-Datenbank (Fleetwood Mac;'Rumours')" (in German). Bundesverband Musikindustrie. Retrieved 28 Jan 2021.
  180. ^ "IFPIHK Gold Disc Award − 1979". IFPI Hong Kong. Retrieved 28 January 2021.
  181. ^ Jack White (21 July 2021). "Republic of ireland'south Official Top l biggest vinyl albums of 2021 so far". Official Charts. Retrieved 23 July 2021.
  182. ^ "Italian album certifications – Fleetwood Mac – Rumours" (in Italian). Federazione Industria Musicale Italiana. Retrieved 8 March 2021. Select "2021" in the "Anno" drop-down menu. Select "Rumours" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
  183. ^ "International – 'Ma Bakery' Dutch Single in '77 Chart Tally" (PDF). Billboard. 21 January 1978. p. 116. Retrieved 28 January 2021.
  184. ^ "Dutch album certifications – Fleetwood Mac – Rumours" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved 28 January 2021. Enter Rumours in the "Artiest of titel" box.
  185. ^ "New Zealand album certifications – Fleetwood Mac – Rumours". Recorded Music NZ. Retrieved 28 January 2021.
  186. ^ Salaverrie, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (PDF) (in Spanish) (1st ed.). Madrid: Fundación Autor/SGAE. p. 946. ISBN84-8048-639-ii . Retrieved 28 January 2021.
  187. ^ "British anthology certifications – Fleetwood Mac – Rumours". British Phonographic Industry. Retrieved xxx Nov 2021.
  188. ^ "American album certifications – Fleetwood Mac – Rumours". Recording Industry Association of America. Retrieved 28 January 2021.
  189. ^ "ARIA Charts – Accreditations – 2007 DVDs" (PDF). Australian Recording Industry Clan. Retrieved 28 January 2021.
  190. ^ Scapolo, Dean (2007). The Complete New Zealand Music Charts: 1966–2006. Maurienne Business firm. ISBN978-1-877443-00-8.
  191. ^ "British video certifications – Fleetwood Mac – Archetype Albums - Rumours". British Phonographic Industry. Retrieved 28 Jan 2021.

Bibliography [edit]

  • Brackett, Donald (2007). Fleetwood Mac: 40 Years of Artistic Anarchy. Greenwood Publishing Group. ISBN978-0-275-99338-2.
  • Brunning, Bob (2004). The Fleetwood Mac Story: Rumours and Lies. Omnibus Printing. ISBNi-84449-011-4.
  • Caillat, Ken & Stiefel, Steven (2012). Making Rumours: The Inside Story of the Classic Fleetwood Mac Anthology. John Wiley & Sons, Inc. ISBN978-1-118-21808-ii.
  • Fleetwood Mac; Ken Caillat; Richard Dashut (2004). Classic Albums – Fleetwood Mac: Rumours (DVD). Eagle Stone Entertainment.
  • Rooksby, Rikky (2005). Fleetwood Mac: The Complete Guide to Their Music. Motorbus Printing. ISBN1-84449-427-six.

External links [edit]

  • Rumours lyrics at Rhapsody
  • Rumours promotion at the 12 February 1977 [Vol. 89, No. half dozen] outcome of Billboard via Google Books

barrerahatand.blogspot.com

Source: https://en.wikipedia.org/wiki/Rumours_(album)

Post a Comment for "Fleetwood Mac Rumors Never Going Back Again"